Our baker at the nearest panaderia.
We met a new incarnation of La Katrina today in an art gallery. I wish there were a way to bring her home, but she's larger than the car.
We met a new incarnation of La Katrina today in an art gallery. I wish there were a way to bring her home, but she's larger than the car.
A colorful house not too far from us.
A balcony dog. Years ago, when I took a Spanish course in Morelia, we weren't afraid of the street dogs, who although they were mangy, were not aggressive. It was a different story with the dogs who lived on roofs and protected property. It always woke me quickly when one of those dipped his head over the edge of the roof and seemed to attack me from above by barking and snarling. This one, made of clay, would suit me fine.
In front of our neighbor's casita. The garden was the best we've been in so far here and the pool was small but inviting. I didn't bring my swim suit, thinking we'd not find a place with a pool.
The next morning I beat Kent out of bed and the B&B's breakfast time by a couple of hours, so I took an early morning photo jaunt in a neighborhood that wasn't painted yellow on the edge of town. It's not misty in the following photos. It's smoky. Everyone seemed to be buring something and it didn't dissipate in the still, heavy air.
There were two cheerful old men macheteing down that lovely plant, which they called San Diego. When I said, "Pobre San Diego," they laughed and said he'd grow back quickly.
This traditional Mayan house had a thatched roof under the galvanized (rusted) roof and the rope was thrown over all to hold it together.
After breakfast we took off for Tizimin and a long route home. This sign always makes me laugh. "Don't mistreat the signs." We need something like that in Wyoming, where they are often riddled with bullet holes.
Tizimin's church. Note that in the lower right corner of the picture is the bumper of our car. Kent is doing well as chauffer. The roads were good, in some cases excellent, and the traffic wasn't heavy. There were even signs telling us where we were and where we were headed. We only got lost once. We take the free roads and haven't been disappointed. The toll roads are expensive and cut into our beer money.
And inside the church.
The church in Valladolid. It wasn't open.
And another important road sign. "Don't leave Rocks on the Pavement."
Truck drivers, whose trucks are stopped or broken down on the highway, make a detour with large rocks. When the vehicle is repaired, I guess they must leave them for the purpose of breaking other cars. Actually, we've not seen any rocks on the road, but we did in China when we traveled in remote regions.
Hope you all had a great Thanksgiving. We certainly did.
We got to Izamal and found our B&B set in a great tropical graden with casitas for rooms located throughout the grounds. The one below was ours. Oddly, it was decorated inside with southwest themes--Kokopelis, saguaro cactus, and branding irons.
Oscar, the parrot, whose large cage borders the dining room/lobby, was always ready for handouts.
The Yucatecan ladies, especially those about my age, often wear traditional dress.
Izamal street.
Man walking, seen from above.
Door at end of east cloister.
West cloister.
Front entrance.
The church (Convento de Izamal) was begun by Franciscans in 1553 over the site of a Mayan pyramid and many of the Mayan stones were used in its construction.
There are several other pyramids still fairly intact in Izamal. Enough that every neighborhood has its own.
We visited the artesan museum where modern craftsmen from around all of Mexico display their interpretations of traditional themes.
Fridas from Frida's paintings in clay.
La Katrina--a paper mache, larger-than-life death figure. If you've been keeping up with the blog, you've seen her before with Kent at the Xalapa archeological museum's coffee shop.
I do like the Mexican approach to death--cheerful and funny and fearless.
Old Women in Izamal.
I wish the light had been better here, but this fruit seller at the market was in a shady corner. I've had to adjust the picture, unmercifully, in PhotoShop to bring out her features. If I had more nerve as a photographer, I would ask these women to pose and pay a fee. I find them immensely handsome.
A sadder woman.
And La Gringa awaiting her Thanksgiving Day dinner.